How To Draw A Nebula With Pencil

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Lately many people take been asking me how to create a infinite nebula result with markers. The process is relatively elementary, but it's not easy to explain simply with words alone. So in this walkthrough I'k going to show footstep by step how it's washed.

Supplies Used

• Strathmore Mixed Media 5.v x 8.five Sketchbook
• Pink and White Colored Pencil
• White Gel Pen
• 13 Copic Markers (12 colors -E50, Y21, G20, R20, B000, E04, B32, B04, B00, BG15, B14, B97- and a colorless blender -0-)

I should indicate out now that you aren't required to utilize the verbal brands I used to create the drawing. I used these materials because they're what I'm most accustomed to.The techniques I demonstrate tin be done with whatever markers and paper you're comfortable using. What matters is that you empathise the technique because when you do you can utilize it to anything.

I begin by making some abstract cloud-like shapes with E50 (Eggshell), which is a very faint xanthous. At that place's no pencil sketch here because space nebula (as well as atmospheres and natural landscapes) can be easily created by layering abstract shapes on elevation of each other.

Using Y21 (Buttercup Yellowish) and G20 (Wax White) I basically repeat the first step. Still working very calorie-free. I realized after the fact that Buttercup Xanthous was a bit too intense for this drawing so I stopped using it there. This is why it's important to have a sheet of scratch paper nearby to test out colors before you apply them. Because one time they're down, they're Downwardly.

Next I utilize R20 (Blush) to start defining the shapes of the gases in the nebula. So I become back to Eggshell. Information technology's probably hard to see what I did here, but I used the brush tip cease (on its side) to swipe inward, from all sides, towards the center of the nebula. The reason being is that the castor tip is more saturated than the chisel tip. This helps intensify the lighter shade of xanthous that's already on the paper. If likewise makes crossfading colors easier considering the sideways swipe motility creates a soft gradient that tapers towards the edge. I'll use this technique multiple times throughout the drawing..

At present with B000 (Pale Porcelain Blue) I layer over the gases in the eye while working my way outwards. Again I'm pulling my strokes inward because I know the surrounding space will exist deep bluish and I want the transition to be a smooth one.

With E04 (Lipstick Natural) I'one thousand finally first to put in some of the darker colors. At this point the drawing sill looks like a random mess. Sometimes y'all'll get the urge to rush and make the drawing wait like something, but you have to exist patient and take your time.

Using B32 (Pale Blue) and R20 once more, I'm going around the nebula detailing and adding layers of colour. I'm also leaving some white spaces which will later become stars. My Pale Bluish is actually starting time to dry out, but here in able to make that piece of work to my advantage considering it streaks from the chisel end create a dry out brush effect which helps add together to the glow. The nebula portion of the drawing is beginning to take shape.

Working my way effectually the perimeter with Pale Blueish. From hither y'all can see the importance of working light to night. Build your colors gradually and avoid the urge to go too dark too early. You desire to have room for error and yous don't want create more work for yourself.

With B04 (Tahitian Blueish) I fill up the surrounding space completely. I'thousand not too concerned with trying to get an fifty-fifty layer considering I know that I'm going to add together darker shades of blue next.

Here I used B00 (Frost Blue) to starting time cleaning upwards some of the edges around the nebula. I also used BG15 (Aqua) to add some pockets of color in the surrounding space.

Calculation darker layers to surrounding infinite with B14 (Calorie-free Blue), which surprisingly a pretty dark shade of bluish. Then I used B97 (Nighttime Blue) to add the last layer, which is the darkest layer in this cartoon.

Now it's time for the final details. 0 is the Colorless Blender. Just information technology'southward not necessarily used to blend. Instead it well-nigh acts similar an eraser considering the ink pushes colors away when you put it downward. Because of this I more often than not don't apply it. But it works nifty for things like water, landscapes and atmospheres. Or in this example, space in which I used it to pull out highlights in and around the nebula. The colorless blender is odd, but information technology occasionally has its uses.

This is the final step and my personal favorite. Highlights and pocket-sized details. I used the pink and white pencils to color around the edges of the brightest stars to make them look as if they're glowing. Then I used the a white gel pen to colour inside those stars to make them smoothen and pop off the page.

And hither's the finished drawing. This was hastily put together, but hope y'all institute this to exist informative and piece of cake to follow. I'll effort to do more marker walkthroughs on different subjects in the future. Until then thank you for all your support and encouragement! What do you think? Let me know in the comments!

Source: http://www.thinkdope.com/general/how-to-create-a-space-nebula-effect-markers/

Posted by: kennedyliaboarpood.blogspot.com

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